Lesley O'Neill
Bio
Education
Slade School of Fine Art 1989-1991
HDFA Printmaking
Staffordshire University 1986-89
Fine Art BA (Hons)
Recent Awards
On The Spectrum Award, finalist. (sadly the award had to be put on hold)
Flourish Award for Excellence in Printmaking Touring Exhibition - Finalist.
Selected Exhibitions
Royal Society of British Artists - 2023
Festival of Print - 2022
Woolwich Contemporary Printmaking - 2022
Kofferraum Haus Gallery, Solo Show - 'Sound Advice My Parents Gave Me' online Micro Gallery - 2022
International Original Print - 2021
Woolwich Contemporary - 2021
Southbank Printmakers - 2021
Member of Professional Bodies
ArtCan Artist Member
Visual Artists Association
East London Printmakers, Associate Member
After graduating from the Slade I continued my practice from a studio in East London, developing my work and teaching for a further four years.
After a life changing event I had to put my work on hold.
In 2020 after a personal tragedy I returned full time to my life as an Artist and began Printmaking again. My life and work changed somewhat by a diagnosis of Autism and ADHD I continue my practice from my home in Islington, London.
Artist Statement
I am an Artist, Printmaker whose work is predominantly figurative.
I am telling a story, the characters are dolls most of which I have made myself. Mostly crocheted but also puppets.
I find making the doll first gives me a feel of the 3D aspect of creating a 2D image. I know its contours intimately, the lines on the face I have created with my less than perfect stitching, like the healing of a wound. I know it's body inside and out.
I create a scenario for them, draw and then transfer the image onto my chosen surface.
At present I am enjoying working with wood, I appreciate the way it splinters and the joy of relinquishing some of the control.
For my stories I take inspiration from childhood events, memories that are real but also exaggerated.
My titles are of great importance to me, I consider them to be part of the work, hopefully they have some humour.
Recently I have been experimenting with new (to me) Printmaking techniques. Firstly Mokulito, a Japanese practice of Wood Lithography. This allows for a more drawn look to a piece but also has room for some traditional cutting methods. The grain of the wood is also more visible especially if it is scorched beforehand. I have had some success with this process but it is still very much work in progress
Secondly, Mokuhanga, Japanese Woodblock Printing. This varies a great deal from traditional western Woodcuts. Water based pigments are used instead of ink and the image consists of a number of blocks using a form of registration called 'Kento'. I am only a few weeks into this way of working but I am hopeful it will add another dimension to my work, I just have to practise!‹
Please wait, it may take sometime ...
1-Always Use "Landscape" mode Layout in print settings.
2-Use default margins.
Lesley O'Neill
I am an Artist, Printmaker whose work is predominantly figurative.
I am telling a story, the characters are dolls most of which I have made myself. Mostly crocheted but also puppets.
I find making the doll first gives me a feel of the 3D aspect of creating a 2D image. I know its contours intimately, the lines on the face I have created with my less than perfect stitching, like the healing of a wound. I know it's body inside and out.
I create a scenario for them, draw and then transfer the image onto my chosen surface.
At present I am enjoying working with wood, I appreciate the way it splinters and the joy of relinquishing some of the control.
For my stories I take inspiration from childhood events, memories that are real but also exaggerated.
My titles are of great importance to me, I consider them to be part of the work, hopefully they have some humour.
Recently I have been experimenting with new (to me) Printmaking techniques. Firstly Mokulito, a Japanese practice of Wood Lithography. This allows for a more drawn look to a piece but also has room for some traditional cutting methods. The grain of the wood is also more visible especially if it is scorched beforehand. I have had some success with this process but it is still very much work in progress
Secondly, Mokuhanga, Japanese Woodblock Printing. This varies a great deal from traditional western Woodcuts. Water based pigments are used instead of ink and the image consists of a number of blocks using a form of registration called 'Kento'. I am only a few weeks into this way of working but I am hopeful it will add another dimension to my work, I just have to practise!‹